Going through my photos of old trips, finding forgotten beauty…
Among my pictures, I found this detail shot of the exquisite ironwork on a door of the Portail de la Vierge, at the Notre-Dame cathedral, in Paris.
Ironwork so exquisite took a great deal of time to make. Small, detailed pieces were painstakingly forged, then assembled into complex motifs, which were then attached to the doors. This dates back to the XIth or XIIth century…
Below, a drawing of the ironwork of the Sainte-Anne door – an example of the extremely complex assembly of the smaller branches. Drawing by E.Guillaumot, in Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle, by Eugène Viollet-le-Duc, 1856.
And inside the building, there are treasures of architecture everywhere. Also, the gaze goes up…
Above, the north transept rose window of Notre-Dame de Paris. The window was installed c. 1250-60 when Jean de Chelles was architect. It features the Virgin and Child enthroned in the centre, surrounded by images of kings and Old Testament prophets.
Beautiful details everywhere.
Below, an additional detail photo of the door that started this post. This time the photo is by Myrabella. Great detail shot!
And I am going to finish with the legend of Biscornet, the young blacksmith who was asked to created the ironwork for two of the doors of the cathedral:
According to legend, it was the 13th-century ironsmith Biscornet who designed the intricate metalwork that adorns the side-doors of Notre Dame. Biscornet was young and ambitious, but, as the story goes, he was so overwhelmed by the momentousness of his task that he made a deal with the Devil – offering him his soul in return for help with the commission.
“Well, I am the Devil after all,” replied the demon officiously. “If you sign a contract with me, I will make of you the most skilled of all metalworkers, and you will be able to create all the magnificent works you please.”
And so Biscornet worked and worked, day after day, until one morning he was found asleep in front of his completed masterpiece. The magnificent doors bore witness to the young ironsmith’s remarkable finesse. Alas, however, on the day of the doors’ inauguration, they refused to open. Only when they were dashed with holy water would they finally budge, and Biscornet was absolved from his demonic pact.
The central doors, conversely, were never originally ornamented – a fact that surprised even Victor Hugo, whose Notre Dame de Paris became the most famous work of literature on the cathedral. Not until the 19th-century restoration by Viollet-Le-Duc did the ironsmith Boulanger finally add some metal detail to them – only after restoring the cursed doors of Biscornet, of course. — Translation by Tim McInerney
There is always a good story to go with exceptional artwork, don’t you think?